Crinodendrons and the Impossible Garden*

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How an apparently impossible subject on the north west coast of Scotland was made to produce good trees, shrubs, fruit and flowers

Title of a lecture delivered by Osgood Mackenzie in 1908

I don’t make a habit of peering over garden walls, but the wall was partly demolished, the house abandoned, and I’d glimpsed what looked like a large cultivated shrub amidst a wilderness of weeds. It was festooned with waxy scarlet flowers or fruit, I couldn’t tell which, shaped like teardrops suspended on long slender stems. This was in Kinsale in West Cork, about 25 years ago, and I was on holiday with my parents. We were just taking an evening stroll after supper and collectively fell in love with this plant and determined to find out what it was. This was long before plant identifier apps and it took a little while, on returning from the trip, to locate the mystery plant in the RHS Gardeners’ Encyclopedia of Plants & Flowers. I forget where, but I tracked down the plant and bought it for my mother’s birthday that year. It grew in their tiny courtyard garden in Petersfield for many years until the house was sold in 2013.

Crinodendron hookerianum

And the name of the shrub which so caught my imagination? Crinodendron hookerianum or Chile lantern tree. It is named for William Jackson Hooker*, who was appointed the first full-time director of Kew Gardens in 1841, and studied many plants from Chile. I believe that ‘crinodendron’ means lily tree. A specimen grows in a side border of the woodland garden at Kew near the boundary wall with Kew Road and always reminds me of my mother and that warm evening in Ireland.

I was thrilled last week to find a superb specimen of C. hookerianum growing by the front door of the garden lodge, which was to be our home for three nights while we explored Inverewe gardens in the north west of Scotland. This superb National Trust for Scotland garden’s south-facing location on Loch Ewe means it benefits, like the gardens of south west Ireland, from the warming influence of of the Gulf Stream. In the 1860s, the maker of the garden, Osgood Mackenzie, planted a shelter belt of Scots pines around the peninsula on which Inverewe stands, to maximise the unique climate in his garden to grow species which wouldn’t be expected to survive, let alone thrive, in a place on the same latitude as Hudson’s Bay. The garden lodge shrub was so high and wide it almost hid the front door of the house.

During the two days I was at Inverewe I tried to walk as many of the paths through the wooded areas of the peninsula on which the garden is located as I could, admiring the fabulous collection of plants favouring the peaty, acidic soil. Amongst the Rhododendrons and Azaleas, I found several towering Crinodendrons, some at least four metres high. On the last evening, I walked down to an exquisite little cove, Camas Glas, to see the sun setting over Lough Ewe, and as I walked back came across an exquisite pink flowered cultivar, C. hookerianum Ada Hoffman. My mother died 11 years ago last week and it seemed very fitting that my visit to a garden which I know she would have loved discovering should be bookended by this plant which she took such pleasure in.

Reading more on my return home from the garden, I find it is not a coincidence that Inverewe and Chile lie on the west coasts of their respective land masses. As I explain later in this post, there is there some similarity in climate between the north west coast of Scotland and the temperate regions of Chile. Even during my short visit to Inverewe I spotted several other plants hailing from Chile. I should mention here that almost every plant I encountered was clearly labelled with a Kew style black label citing its botanical name and region of origin.

These are some of the other Chilean plants I found during my two day exploration of the plant lover’s paradise that is Inverewe:

Senecio candicans: Known in the horticultural trade as Angel Wings, S. candicans is often sold for summer bedding as it makes a striking statement plant in a container, its velvety pearl-grey leaves a foil for cerise pink pelargoniums or burgundy coloured dahlias. But at Inverewe itspreads several feet across a gritty bed in the Rock Garden. The terraced Rock Garden is partly constructed from stone salvaged from the grand mansion built by Osgood Mackenzie’s mother Mary in the 1860s, which burnt down in 1914, to be replaced in the 1920s by the art deco style Inverewe House built by Mackenzie’s daughter Mairi and her second husband Ronald Harwood. The low-key but very evocative interpretation installed in the ground floor rooms by the National Trust for Scotland brings the house and Mairi’s lifestyle vividly alive.

Araucaria araucana: more commonly called the monkey puzzle tree. This uniquely formed coniferous tree has of course become a fairly common sight in suburban front gardens. At Inverewe young specimens have been planted on the cliff edges below the High Viewpoint overlooking Loch Ewe, their distinctive spiky limbs visible in the centre of this image. I’m always intrigued by the story of its ‘collection’ by naval doctor Archibald Menzies who accompanied George Vancouver on the voyage to map the west coast of the Americas (1790 – 1795). Invited to supper by a local dignitary who served a dessert made from the tree’s pine-nuts, Menzies is said to have popped a few seeds into his pocket which he sowed on the return voyage to London, delivering the germinated plants to Kew Gardens.

Vancouveria hexandra

Vancouver’s name appears in the name of another plant I saw in Inverewe’s damp woodland areas: Vancouveria hexandra or duckfoot.

Jovellana violaceae

Jovellana violaceae, is native to Chile, its dainty mauve round bell-shaped flowers earning it the common name violet teacup flower. I haven’t come across this before and saw it growing in several places across the garden, where it spreads over rocks in sunny clearings in the woodland areas. A low-growing shrub, I read that it is vulnerable to below zero temperatures, and would need protection if grown in gardens without Inverewe’s benign climate.

Embrothrium coccineum or Chilean Firetree. Reading about the native habitat of this spectacular shrub is a fascinating geography lesson. It is endemic to a narrow strip of land along the coasts of Chile and Argentina called the Valdivian temperate rain forest, whose climate is influenced by the prevailing winds, the ‘westerlies’, which carry warm, equatorial waters and winds to the western coasts of South America. The flower heads of this evergreen shrub consist of tubular scarlet petals narrowing to slender ‘stems’ held together in a loose clusters. The specimen I came across was several metres high.

Ourisia macrophylla

I also happened upon another plant connected to William Jackson Hooker: Ourisia macrophylla, the mountain foxglove. A woodland under-storey plant, it was described by Hooker in 1843, having been collected on Mt Egmont in New Zealand and the specimen brought to Kew. An evergreen perennial which favours shade and moist peaty soil, it was growing amongst tree roots lining a path leading to the jetty at the tip of the Inverewe Garden peninsula.

A random fact I picked up when researching this post, is that Sir William Jackson Hooker rented a house called Brick Farm in Kew, renaming it West Hall. Feeling an urge to peer over a garden wall again, on Sunday afternoon I wandered down what is now very much a suburban street to see what, if anything, remains of the house where Hooker and his family lived, a few minutes walk from Kew Green and the gardens he curated. And there it stands, a few metres from the South Circular Road, a whitewashed double-fronted house behind a very high wall almost entirely surrounded by mature trees and shrubs. How many of them date from Hooker’s time, I don’t know, and the high wall prevented my seeing if they included a Crinodendron. But I wouldn’t have made a detour to find one of the oldest houses in Kew had it not been for the magical garden at Inverewe.

Kew, Surrey 21 May 2025

Throwdown Yonder

Whichford Pottery: a pot garden paradise

For a fan of container gardening like myself, Whichford Pottery near Shipston-on-Stour is heaven, especially in April and May. Not only can you see a multitude of tulips planted into magnificent terracotta planters, but you can watch the pots being made by master craftsmen and women. When I went a week ago, there were relatively few visitors, perhaps because the Straw Kitchen cafe isn’t open on Tuesdays, and it was a joy to be able to potter (excuse the pun) around and explore. The staff throughout the operation are very welcoming and everyone clearly loves the place and the products made there.

The first floor workshop, where the potters create their hand thrown wares on foot operated wheels, was softly lit by sunlight streaming through windows thrown open to the north Cotswolds countryside. The throwers were incredibly generous with their time, patiently answering our questions, all the while carrying on making pots which they stacked on a wooden plank alongside their work stations. We learned that one of the first jobs each day is to weigh out the individual lumps of clay needed for the morning’s work. We watched as the clay mixed onsite was thrown onto the wheel and worked up into a pot of the desired form, to a height matching that of a long curved twig placed at the side of the wheel. The thrower skilfully shaped the rim of each pot, trimming off any excess clay and throwing it out of the window onto a pile to be returned to the clay mixing area.

Shelving laden with the kind of tools that have been used in throwing pots for centuries line the walls of the workshop, and you could almost imagine you had stepped back in time, were it not for the wonderfully bluesy playlist. Van Morrison’s vocals increased in volume as we approached the area where Adam Keeling, son of the pottery founders Jim and Dominique Keeling, was making large vessels about 1.5 metres high. After making the base and an additional cylindrical section, he was joined briefly by a colleague to lift the cylinder onto the base. The two sections were then bonded together with clay and the entire vessel further worked on the wheel. A blow torch was used on these large pieces to partially dry out the pot before they are moved downstairs to the kiln.

As if the pot throwing operation wasn’t enthralling enough, we walked through to the area where the pots are decorated. A friendly trio of women worked around a long worktable, very generously answering our queries. We watched as a mould was pressed against the surface of a pot and removed to reveal an intricate design of a charging horse and spear carrying rider, which was then expertly ‘fettled’ to sharpen the outline of the design. One of the decorators showed us the stamp with which she ‘signs’ her work, a small moth. She said that during half term week her children came to the pottery and had a lovely time looking for her pieces in the courtyard display area beside the shop. Another decorator was applying the distinctive basket design onto a large pot, using long ribbons of clay which are extruded using a hand cranked mechanism on the nearby wall.

At the entrance to the workroom, a whiteboard lists the workload for the day, as well as some of the clients for whom Whichford makes specially commissioned pieces. Burberry featured, explaining the horse and rider motif. As we admired the stacks of drying pots awaiting firing in the ground floor kilns, another very kind member of staff showed us both sides of the pots designed by Monty Don for his garden for dogs at this month’s RHS Chelsea Flower Show: retriever Ned with his forepaws on a large beachball on one side and his paw print on the other.

Head gardener Mark was wheeling a massive pot of tulips from one courtyard to the next when he stopped for a chat. He buys thousands of tulip bulbs each September, sourced from the Dutch grower who supplies the bulbs for the pottery’s annual bulb bonanza. With the help of an Excel spreadsheet, he groups the bulbs into colour, time of flowering, height and so on, before embarking on several weeks of planting. The exuberant volume of flowers in each pot is achieved by planting the bulbs in three layers, which prevents them touching and minimises the risk of any infection spreading from bulb to bulb. The bulbs all find their own level and grow to a uniform height. Spent bulbs from this year’s pots are planted into the meadowed areas around the site. Many of the pots are interplanted with wallflowers, and Mark chooses cultivars which will continue to flower well into the summer to maintain a colourful display.

Over the years I’ve collected four handsome Whichford pots, two featuring Shakespearian quotations on the rim, and they are treasured possessions. I don’t have room for another large pot, and instead settled for an elegant ‘long Tom’ design, with Chelsea Flower Show ‘printed’ around the base, beneath a ‘roulette’, a band of decoration applied using ‘slip’, a diluted clay in a pale greyish shade. Each ‘roulette’ is hand carved onto a wooden roller. We had watched as one of the throwers applied a similar design to his pots before removing them from the wheel.

It felt a real privilege to watch makers at the top of their game creating pots which fulfil William Morris’s maxim

Have nothing in your house that you do not know to be useful, or believe to be beautiful.

Had the great exponent of the Arts and Crafts movement visited Whichford Pottery, I am sure he would have added ‘garden’ to this expression of his design philosophy.

7 May 2025 Kew, Surrey

21 May 2025: At Chelsea Flower Show yesterday, I saw the wonderful pots made at Whichford for the ‘dog garden’ created by Monty Don and Jamie Butterworth. So exciting to have seen them in their pre-fired form three short weeks ago!