Born two decades apart, Harry Walker and Graham Stuart Thomas shared a passion for the flowering plant voted in a 2017 poll as the nation’s favourite, the rose. My quest to find out a little more about these horticultural heroes began a few months ago, between lockdowns, when a friend invited me to tea to see a collection of material about her maternal grandfather.
Henry James Walker, known as Harry Walker, (1888 – 1960) was a professional rose grower whose business, Wiltshire Roses, was located in the Wiltshire village of Ashton Keynes, near Cirencester. As well as a feature in The Wilts and Gloucestershire Standard dating from April 1954, the documents I was shown included immaculately preserved nursery catalogues dating from the 1940s and 1950s as well as National Rose Society publications.
Born in Borneo, Harry Walker arrived in England in 1901 and at the age of 14 he went to work for a nursery in Cirencester, where he learnt the art of rose propagation. In 1931 he established his nursery on a two acre site known as The Rose Gardens. There Wiltshire Roses produced approximately 5000 roses a year, each one ‘budded’ by hand. This grafting process involves a bud from the variety to be propagated being inserted beneath the skin of the rootstock, usually Rosa canina, before being bound tightly to the parent with raffia. After a year’s growth, the resultant plants were ready for sale. In those pre-online days, many of the roses were posted to mail order customers, damp moss being wrapped around the roots before packing.
Mr Walker’s catalogues list rose varieties now sadly forgotten, their pre-decimal prices betraying their vintage, each succinct description conjuring an image of a gorgeous bloom. Who could fail to be tempted by Rosa ‘Grandmere Jermy’ (pale gold edged with rose: 5 shillings) or R. ‘Hector Dean’: (carmine and salmon pink, yellow at base of petal, fragrant: 4 shillings). But some, such as R. ‘Ophelia (flesh pink) and R. ‘Peace (yellow shaded pink at edge, a fine rose, large, vigorous) remain popular.
Interestingly, the climbing roses and ramblers seem less affected by the vagaries of fashion. Here I noted some of the classics, among them R. ‘Gloire de Dijon (buff yellow, rich scent), R. Mermaid’ (creamy yellow large single flowers, almost perpetual) and R. ‘Dorothy Perkins’ (clusters of beautiful pink flowers).
By the time the newspaper article I mentioned was published, Mr Walker had been cultivating roses for more than 51 years and naturally had some advice to impart. He recommended the replacement of the top layer of soil beneath roses affected by black spot, after careful removal of affected leaves. Whilst he favoured clay soil as the best for rose growing, because of its moisture retaining qualities, the soil at his nursery was light and gravelly to which he applied ‘plenty of manure’. As well as growing roses at The Rose Gardens, Mr Walker was in demand to prune other people’s roses, describing pruning as ‘the surgical art of gardening’.
At a time when the special relationship between the UK and US is as important as ever, and we avidly follow the news from across the Atlantic, I am reminded when studying the Wiltshire Roses catalogues that it was ever thus and the roses listed include several with American names and associations:
- R. ‘New Yorker’: large velvety scarlet
- R. ‘President Hoover’: coppery orange blended gold and red, tall
- R. ‘General MacArthur’: crimson
- R. American Pillar’: pink with white eye. This rambling rose remains popular today and is listed on David Austin’s website.
Flowers and gardening styles, like clothing and interior decor, are subject to shifting trends. Rose gardens were in their heyday in the mid C20. Most gardens, small and large, contained at least one or two beds devoted to roses, often with nothing planted beneath. Somewhat featureless from October to March, such beds would burst into colourful life in the summer. At Meadowsweet, my parents’ first home, roses grew in a bed beside the back door and later a similar display was created in the garden of the house where I grew up. The bed was beside the garage and was edged with Polyanthus. It was a feature of the garden I came to know intimately, especially a thorny single flowered apricot rose bush into which I toppled several times whilst learning to ride a bike. When they retired to Petersfield in 1986, my parents planted roses in the south facing raised beds at the front of the house.
I was pleased to see that one of the two named varieties I remember, R. ‘Ena Harkness’ (bright crimson scarlet, excellent habit and growth) was listed in the Wiltshire Roses catalogue. This was my mother’s favourite rose and she loved to pick one or two flowers late into the autumn, to display and admire in a glass vase. The other rose I remember was R. ‘Uncle Walter’, named for Walter Gabriel, a character in The Archers. I cannot imagine a rose being named after one of the current cast of characters in this everyday story of farming folk (or ‘contemporary drama in a rural setting’ as the Archers website now styles it!). Somehow the Eddie Grundy rose doesn’t have the same nostalgic ring to it.
Whilst the idea of writing a blog post about my friend’s rose-growing grandfather was marinating in my mind, the name of the second plantsman in my introduction kept cropping up in my reading. In The Garden Notebook*, Beth Chatto refers to Graham Stuart Thomas (1909 – 2003) as a great friend and correspondent. In the October 2020 edition of The Garden I read that he helped revive the gardens at the Indian inspired stately home Sezincote after the Second World War. I also knew him as the donor to Mottisfont of his collection of pre-1900 ‘old roses’, now the National Collection, for which he designed the area within the walled garden, blending roses with herbaceous perennials. Reaching their peak in early summer, the roses had long finished flowering when I visited Mottisfont this July, but the structure of the garden was impressive and whilst the roses had gone over, the clematis were thriving.
To prepare for this article I bought a copy of Thomas’s ‘Shrub Roses of Today’, first published in 1962, one of a trilogy of classic books on roses, the others being ‘Old Shrub Roses’ and ‘Climbing Roses Old and New’. In his introduction, Graham Thomas notes how shrub roses and ramblers ‘act as a foil and complement in shape and form to the brilliant moderns’. So while Harry Taylor was propagating the ‘brilliant moderns’, Graham Thomas was engaged in collecting and documenting the species roses and their hybrids which have become known collectively as ‘old roses’. I was struck in the introduction by a reference to ‘the Hitler war’. In this week of remembrance for the members of the armed forces who have died in the line of duty it is sobering to consider that like many of their contemporaries, Harry Walker and Graham Thomas lived through two world wars.
As well as collecting roses and writing about them, Graham Thomas was a gifted artist and the book is illustrated with his own colour and monochrome pictures. Having recently contributed copy for an article in the December edition of ‘Garden Answers‘ magazine about how to decorate with hips and haws (pp28-30) I was happy to see that one of the colour plates in his book features ‘Fruits of roses’. This includes the distinctive urn shaped hips (or ‘heps’ as he calls them) of R. moyesii ‘Geranium’.
Like Harry Walker, early in his career Graham Thomas was a nurseryman, culminating in his becoming a partner at Sunningdale Nurseries, where he remained a director until 1971. In 1955 he became the gardens advisor to the National Trust, having advised upon the gardens at Hidcote Manor when it passed to the Trust in 1948. He was the recipient of many honours and awards including an OBE for his work with the National Trust and in 1983 David Austin named ‘an unusually rich, pure yellow’ English shrub rose R. ‘Graham Thomas’.
Before this current lockdown I completed the renovation pruning of the very vigorous climbing rose R. Madame Alfred Carrière (creamy white blooms tinged with pink**) in a client’s garden. It was a major task involving three visits to tame and train it. What fun it would have been fun to have consulted with Messrs Walker and Thomas on the project. I hope that they would have approved of my work to give this beautiful rose a new lease of life.
**Description from David Austin’s website.
I would like to thank my friend and fellow Parkrunner Margaret Bradley for so generously sharing the information about her grandfather Harry Walker who sadly died before she was born but whose roses she remembers vividly as they grew in profusion in her parents’ garden.