‘By Leaves we Live’

RHS Wisley: where science meets horticulture

I had the privilege last Thursday to tour RHS Wisley with other members of the Garden Media Guild and meet members of the Wisley team to learn more about the garden and the fascinating work of the Royal Horticultural Society. It’s a garden I’ve visited many times but never felt I knew well enough so this was my opportunity to discover more. And thanks to the generous time given by the team I left feeling not only better informed but hugely impressed by the horticultural and scientific work carried out at Wisley.

Sandwiched between the River Wey and the A3 London to Portsmouth road, Wisley has seen some challenges in the last few years due to major roadworks on its doorstep, when the M25/A3 junction was improved. The massive delays in all directions had a very negative effect on visitor numbers but that is now history and access to the garden by car is far easier.

We began in front of the spectacular display of tulips on either side of the Jellicoe Canal which is overlooked by the Arts & Crafts style Old Laboratory. RHS Chief Horticultural Advisor, Guy Barter, who leads the organisation’s RHS Members’ Advisory service, gave us a brief introduction. The half-timbered laboratory building dates from 1915 and also housed the lecture theatre for students studying horticulture at Wisley. Before the canal was created in 1969-70, this part of the site housed propagation and potting sheds, now relocated to a state of the art facility in nearby Wisley Village. RHS Wisley is supported by a cohort of 700 volunteers, spread between the garden, front of house and education.

A man giving a presentation in a garden, gesturing with his hands, while a sign about the Oudolf Landscape is displayed nearby. People are visible in the background, enjoying the garden.

Mark Tuson, one of Wisley’s four Garden Managers, led the first tour of the day. He highlighted the mass tulip plantings which are attracting the crowds leading to the busiest Easter since 2023. He guided us past the Walled Garden to Oakwood, a low-lying area which a former owner of the garden, George Ferguson Wilson, treated as an experimental garden in which to grow plants that could cope with the standing water and frosty conditions. From 1878 he had channels built to drain the acidic greensand soil. Several of the Rhododendrons in Oakwood date were planted by Wilson between the mature oaks which still stand. Wisteria grows many metres high into the canopy of some of the oaks: emulating wild Wisteria plants in China and Japan. Influenced by the wilder, more natural style pioneered by garden makers and plants people William Robinson and Ellen Willmott, Wilson introduced many woodland edge plants into Oakwood.

Oakwood was filled with birdsong while we were there and Mark reported that the RHS is undertaking a biodiversity audit at Wisley to measure how many species the garden supports. His team is engaged in creating as much wildlife habitat as possible, including ‘stick stacks’ where spent stems and branches are piled into wigwams. He recently examined a hollow stem to find it housed the larvae of a solitary wasp. Low-lying Oakwood sits in a frost pocket criss-crossed with drainage channels and Mark has found that the later flowering yellow flowered Magnolias do well in this challenging site, with Battleston Hill on the other side of the garden hosting the early flowering species such as Magnolia campbelii. Another project in this area designed to make the site resilient to climate change is the creation of ephemeral ponds known as ‘swales’ to capture rainwater. After several dry April weeks, most were empty last week.

Mark moved us through to the Oudolf Landscape, where Dutch plantsman Piet Oudolf redesigned the beds and planting in the ‘Glasshouse Borders’ a couple of years ago. in 2024 Mark and his team planted 30,000 perennials all in 9cm pots! These plants were contract grown by nurseries in Holland before being subjected to up to three months’ quarantine where they were monitored for pests and diseases. In 2025 a bulb layer of 6,000 bulbs was added. The cutback of the ‘5th season’ growth has just finished, a reference to the stems and seedheads left standing throughout the winter to support wildlife and provide a dramatic structure when little else as apparent in these herbaceous perennial borders. During the cutting back process they have to take care not to tread on the emerging growth of bulbs like Muscari. They use the ‘chop and drop’ technique of leaving the cut stems in situ, sometimes moving them around the beds a little for even distribution. This feeds the soil, suppresses weed growth and saves having to mulch. One unforeseen maintenance task which the team deals with is a phenomenon he calls ‘gravel will travel’: where gravel from the paths which wind through the beds on the sloping site of the Landscape migrates into the beds below.

A landscaped garden with pathways, benches, and various plants, set against a cloudy sky. People are walking and enjoying the scenery.

50% of the plants at Wisley are propagated in-house. There are a staggering 25,000 species of plant throughout Wisley garden. Mark listed some of the challenges faced by his team including having to redevelop the Heather Landscape after the surface rooting plants suffered in recent hot summers. There is a proposal under consideration to relocate the collection to RHS Harlow Carr in Yorkshire.

A scenic garden landscape featuring various shrubs, colorful flowers, and trees under a cloudy sky. A small wooden structure is visible in the background.

Mark led us through to the Alpine Display Houses where we admired the array of colourful specimens thriving there before being led to the Trials Garden to meet Rosalyn Marshall, the Trials Project Manager. The Trials Garden is located on the site of Wisley’s old plant centre with soil introduced from the development of the build of Hilltop, the RHS Science Centre (of which more later). Here she and her team look after the beds in which several selections of the same plant or related groups of plants are grown side by side for comparison. Depending on the plant, trials last for one or between three to five years. The purpose of the trials is to identify the attributes which will help home gardeners choose the best examples of the plants under consideration. The trials are assessed by a judging panel made up of experts in that group of plants, during four sessions a year, before their findings are ratified by the relevant RHS Expert Group. The best performers might receive the accolade of ‘RHS Recommended: Award of Garden Merit’. Trialled plants face similar challenges to those in home gardens, including of course pests and diseases. The beds are mulched to suppress weeds and fed, with a shift towards organic feed. Watering depends on the plants being trialled but a couple of species in current trials, Baptisia and Helianthemum, were watered only once last year, so as to test for resilience.

Other plants undergoing trials at Wisley this year include Centaurea, Geranium, Nandina domestica, Philadelphus, Rosa persica and herbaceous Veronica. The Trials team work with the seven Expert Groups who advise on sourcing the plants as well as plant naming if this is unclear. The team consists of ten personnel: five in the office and five cultivating the beds. We learnt that the RHS began trials at their Chiswick site in the C19 with the first Award of Garden Merit given in 1922 for Crocus tommasianus. What appear to be empty beds are sown each year with a wildflower mix and one bed is devoted to examples of sweetpeas which have already achieved AGM status. Vegetables and fruit are trialled in a site near the Edible Landscape.

Rosalyn encouraged us to examine the plants in the one year trial of three groups of tulips: Viridiflora, late single and Darwin Hybrid. To avoid the danger of tulip fire, bulbs for tulip trials are planted in different beds each year. A future trial of perennial tulips is being considered. The tulips in the current trial were truly spectacular: serried ranks of intense colour. I was especially struck by the enormous flowers of Tulipa ‘Flaming Memory’.

During a break for lunch I walked to the northern end of the garden to see the Stone Pine building from the garden side. On the ground floor is a cafe which opens at the weekend and in the summer and the first floor houses the offices of the charity Plant Heritage. I had spent the day before at Plant Heritage with other volunteers where we labelled packets of seed for the forthcoming RHS shows. More about this and the Plant Heritage show garden at RHS Chelsea Flower Show in a separate blog. Stone Pine overlooks the recently established Resilience Garden. Pausing in the nearby Bird Hide to see a mute swan nesting, I walked back to the busier section of the garden alongside the River Wey. Apparently kingfishers can sometimes be spotted in this tranquil spot. Not on this occasion, but a confident fox trotted happily ahead of me for a couple of minutes.

Team leader in the 19 acre Edible Landscape, Sarah, met us for the next stage of our tour in the World Food Garden. Its one acre consists of three areas: the world food maze, ‘good to grow’ and herbs and flowers where all is edible. Nothing is sprayed and no chemicals are used. They operate a no dig approach and generate ten crops a year per bed. Growing is all year round. They are planting more and more perennials, to promote plant health and protect the soil. Most of the crops grown have received the Award of Garden Merit. The harvested crops (twice a week at present) are sold via the ‘donations’ stand to one side of the World Food Garden or donated to local community charity FairShare. Asparagus season has started and the recently appointed catering company, Restaurant Associates, is holding monthly lunches to highlight the produce from the garden. ‘Tickle your tastebuds’ tours will take place later in the year.

We were intrigued by the small upturned terracotta pots suspended in the espaliered apple displays around the World Food Garden. These have been filled with chickenwire and straw as refuges for earwigs which eat the aphids which can infest the plants. Throughout the Edible Landscape, dead hedges and log piles have been installed to provide habitat for wildlife. To withstand the challenge of the windy conditions at this hill top location they are installing a windbreak in the form of a 80m long ‘mega hedge’ in the orchard consisting of 30 different native species. Every Tuesday morning Sarah and her team of eight full time gardeners and 20 volunteers carry out a physical pest control exercise, which this week involved squishing any winter moth caterpillars found on the trained fruit. They place cardboard around the base of orchard trees to prevent caterpillars crawling up the trunks and have installed bird boxes to attract blue and great tits. Walking through the soft fruit garden, Sarah pointed out the interplanting of rhubarb and herbs and a couple of beds planted with ‘green manure’,Phacelia and green clover, which will be mown next week and forked into the bed to enrich the soil.

Exterior view of RHS Hilltop building with a landscaped garden filled with colorful flowers in the foreground.

At RHS Hilltop, Professor Alistair Griffiths, Director of Science and Collections, kindly spent the next hour and a half enthusiastically taking us through the scientific work of the RHS in helping gardeners to garden. He has been at Wisley for 13 years after 14 years at the Eden Project. We began our tour with him in the Wellbeing Garden designed by Ann Marie Powell where he introduced us to the RHS Wellbeing Garden Blueprint which has drawn together research to demonstrate that gardens and gardening benefit our physical, mental and social health. In this vein, the RHS is advising on the development of a wellbeing garden at Lewisham Hospital.

Close-up of green foliage from a Chamaecyparis obtusa 'Nana Gracilis' plant, with a black label indicating its name.

Alistair pointed out two coniferous plants in the Wellbeing Garden, dwarf pine (Pinus mugo) and Hinoki cypress (Chamaecyparis obtusa) whose natural oils contain ‘phyto chemicals’: naturally occurring plant compounds which studies have found can enhance the immune system by boosting Natural Killer (NK) cells and thus recognise and eliminate cancer cells. He stressed the importance of gardens engendering a sense of awe through their colour and scent and cited research linking the colour yellow to joy and happiness. He noted that Ann Marie Powell’s designs for the garden ‘burst with saturation’. In his own garden he has two contrasting borders. One featuring brighter colours for uplift and another with muted shades for contemplation.

An interior view of a modern exhibition space featuring interactive displays and informative panels. A visitor is standing next to a table showcasing various educational materials, surrounded by lush greenery and wooden accents.

The atrium area in the Hilltop building exhibits examples of the research being conducted by the RHS’s 130 scientists including a hands on experiment collecting data about visitors’ emotional responses to different flower shapes, colour and scent. We were privileged to be shown into the RHS Herbarium which houses almost 100,000 specimens of cultivated ornamental plants in a surprisingly compact racking system. The plants stored here assist the scientists in the RHS Plants for Purpose projects. On display were a specimen of Madagascan periwinkle, now routinely used in chemotherapy treatment. And a western cedar, Thuja Occidentalis L.Dicksonii, whose scales have been found to capture pollution. Alistair was pleased to see a few of us ‘geeking out’ by poring over the specimen sheets. The team is working with Nottingham University to develop an AI tool which will comb through the characteristics of the plants stored in the Herbarium to identify those with scaly or hairy attributes which might make them resilient to the impact of climate change. Another area of study is water: which plants can best tolerate drought and flood?

Next port of call was the environmental horticulture laboratory which is researching the anticipated changes in our environment by 2050 caused by climate change. Alistair quoted the words of Scottish conservationist and town planner Sir Patrick Geddes, ‘by leaves we live’, when reporting upon the work of his team. Work is being carried out in conjunction with eight nurseries looking at potential changes in watering regimes with the use of peat free growing media. Another area of research is paludiculture, which I leant is the cultivation in peatlands of crops adapted to wet conditions such as Sphagnum moss as a sustainable alternative to draining land for conventional farming. This has lead to the production of a growing medium widely used by growers of carnivorous plants. It was fascinating to see a container of granulated cork from Portugal which is beginning to be used instead of perlite to improve the structure of growing media and as a substitute for vermiculite in topping trays of seedlings etc. Other work involves the addition to compost of cellulose made from nettles or hemp or grasses like Miscanthus. Work is also being done to measure carbon in cultivated landscapes, above and below ground, and it is anticipated that lawns may come out well in this study.

A person holding a display case of preserved insects, showcasing various specimens, while standing next to a cabinet filled with drawers labeled with scientific information.

In the so-called ‘dirty lab’ where the team studies the 25,000 invertebrate species associated with garden health, Alistair advised us about the ‘Bringing Nature Home’ biodiversity themed display at Chelsea and other RHS shows this year, to celebrate how the diversity of plants and features in gardens support an important abundance of other life. He repeated the statistic quoted by Sir David Attenborough in the current BBC series Secret Garden that our gardens are a national nature reserve 3.1x larger than the size of UK National Nature Reserves. He praised the programmes but feels there is rather too much emphasis on ‘mega fauna’ at the expense of the wealth of invertebrate species which our gardens support. We were urged to help the RHS measure plant diversity in our gardens by recording the plants we grow in the RHS Grow App.

I came away from Wisley on Thursday afternoon with a far deeper understanding of the pioneering work carried out by the RHS both in the garden itself and behind the scenes in the science labs and offices. All of which will help us become better gardeners, equipped to tackle the challenges of a changing climate and as well as protecting and increasing the biodiversity in our gardens.

Kew 21 April 2026

Here are a few more images from Wisley last week.

‘Butterfly, tell me where do you go?’

Meadow brown butterfly on yellow wildflowers

This year’s Big Butterfly Count, the results of which were published last week, reveals the lowest number on record, prompting Butterfly Conservation, the charity which organises the count, to declare a ‘Butterfly Emergency’. Compared to 2023, participants in the survey, which ran from  12 July – 4 August, recorded almost 50% fewer butterflies during a 15 minute period, down from 12 to seven of these beautiful creatures. The Big Butterfly Count citizen science project has been running for 14 years, with this year’s 84,000 participants spending the equivalent of four years worth of time counting in gardens, parks, school grounds and the countryside.

Dr Richard Fox, Head of Science at Butterfly Conservation, said: 

“Butterflies are a key indicator species; when they are in trouble we know that the wider environment is in trouble too. Nature is sounding the alarm call. We must act now if we are to turn the tide on these rapid declines and protect species for future generations.

As well as loss of habitat, the decline is caused by the use of neonicotinoid pesticides which kill butterflies as well as other pollinating insects. Dr Fox said

When used on farmland, these chemicals make their way into the wild plants growing at field edges, resulting in adult butterflies and moths drinking contaminated nectar and caterpillars feeding on contaminated plants. Many European countries have already banned these chemicals, it’s time for the UK to follow suit and put the natural world first. If we don’t act now to finally address the long-term drivers of butterfly decline, we will face extinction events never before seen in our lifetime.”

The charity has drafted an open letter to the Secretary of State for Environment, Food and Rural Affairs calling for a ban on the use of neonicotinoid pesticides. As I write this on Sunday afternoon, over 19,000 people have signed the letter: do please add your voice to the campaign to reverse the sad decline in numbers.

My summer got off to a butterfly-themed start when I took part in a concert by Kew Gardens’ staff and volunteers’ choir. As an ad hoc volunteer at RBG, Kew (helping with the annual orchid festival, commenting on draft interpretation messaging and taking part in the recent bench audit) I just about qualify to be a member of this inspirational choir which rehearses each Thursday in the church hall attached to the historic St Anne’s Church, Kew Green. One of the numbers we sang was ‘Butterfly’, a lilting and wistful evocation of the ephemeral nature of the creatures which, until recently, we took for granted as a fixture in our gardens. Written by Alan Simmons, I don’t have permission to reproduce all the lyrics but here’s a photo of my fridge door where I stuck a print out of the chorus to help me learn the words.

Let’s see how some of the species listed in the chorus fared according to this year’s list of sightings across the UK:

Tortoise Shell: Down 74% since last year.

Painted Lady: down 66%

Meadow Brown: good news at last! Up by 6% since 2023.

Holly Blue: down 80% on last year, but an increase of sightings of 35.6% since the Big Butterfly Count began.

Red Admiral: down 82% since 2023 but an increase since the count began of 28.10%.

On the afternoon of 26 July, Ruth Brookes, Natural Habitats Supervisor at Royal Botanic Gardens, Kew, returned to Pensford Field for the second year running, to give a talk about butterflies. It was hot and sunny and when we ventured into the Field from the studio it was heartening to observe Meadow Browns cavorting in the wildflower meadow. Ruth explained that to date it had been a bad year for butterflies. Caterpillars need a deep cold winter to remain dormant, as opposed to the mild wet conditions last winter. This caused them to run out of energy before the end of winter.

Ruth was very complimentary about the habitats created across the Field to support the entire life cycles of butterflies. This makes it all the more sad that a couple of weeks ago, the London Borough of Richmond upon Thames notified the Pensford Field Environmental Trust that it intended to terminate its lease of the three acre site, embedded in a residential area of Kew, about half a mile from the Gardens. For 32 years, the Trust and its volunteers have managed the site, maintaining the woodland that surrounds an open meadow area, planting a productive orchard of apple, pear, quince and medlar trees and creating a wildlife pond. Two sets of local beekeepers occupy sites at either corner of the Field and a local primary school holds weekly forest school sessions there. There are regular talks there: already this year we’ve learnt about amphibians, bats and hedgehogs. I have to declare an interest here: as well as being a volunteer at the monthly work parties to maintain the Field, I’ve recently been appointed a trustee, and have given two talks there relating to gardening for wildlife and resilient gardening. To say that we are disappointed about Richmond’s decision is an understatement. We are deeply concerned that the valuable wildlife habitat provided by the Field for butterflies and many other species, might be compromised by future use of the site by an organisation for which conservation is not a primary object.

In light of the concerning news from the Big Butterfly Count, sites like Pensford with meadow planting of nectar-rich species for adult butterflies and areas of long grass and nettles for caterpillars, are vital to stem the decline revealed in the survey.

I fear that this post brings gloomy news on two fronts and want to redress the balance a little by showing some of the butterfly and moth sightings I’ve had this year (while they stayed still long enough to be photographed!).

Butterflies

Moths

Seduced by images of prolific yellow orange flowerheads and the fact that its common name is butterfly weed, I bought five tubers of Asclepias tuberosa this spring. Planted up in separate pots, as soon as new growth emerged it was consumed by slugs or snails. I succeeded in establishing one plant and its flowers lived up to my expectations. I didn’t see any butterflies visiting it, but I like to think that by growing it I’m improving the chances of increasing the bio-diversity in the garden. At RHS Wisley’s recent plant fair I spotted a vibrant cultivar called Asclepias Silky Scarlet. If I was a butterfly those vivid yellow flowers would certainly attract me in search of nectar. This genus includes the various species of milkweed which host the caterpillars of the Monarch butterflies which undertake the extraordinary annual migration from southern Canada to Mexico. Earlier this year I listened to a fascinating series on BBC Radio 4 about one woman’s quest to follow this migration marvel by bicycle.

I’m going to finish with a couple of paintings featuring butterflies which I’ve come across this summer. At the Queen’s Park Book Festival at the beginning of September, I saw art critic Laura Cummings being interviewed about her memoir ‘Thunderclap‘, where she showed a slide of this exquisite study by Adriaen Coorte of two peaches. The colourful portrait was one of the entries in the Herbert Smith Freehills Portrait Award 2024 at the National Portrait Gallery: Alain at Kew by Carl Randall, with the subject standing in front of verdant vegetation in the Palm House: spot the butterflies!

Do please follow the link to call for the government to ban neonicotinoids and give our butterfly population the chance to thrive once again. God forbid that the only place for future generations to see butterflies is on a gallery wall.

Kew Gardens, 22 September 2024

Weeds, prints and (butter)flies

Featured

A week in and out of the garden

After a few non-gardening days last week with family coming to stay, I returned to volunteer at Osterley, to find that an interloper had arrived in the vegetable bed in the Tudor Walled Garden that we had thoroughly weeded a week earlier. Numerous substantial seedlings of gallant soldier had pioneered their way along the aubergine and chilli pepper rows. Gallant soldier is a corruption of this plant’s scientific name Galinsoga parviflora, a member of the daisy family which bears very small white flowers amidst serrated oval leaves.

I’ve got a new plant identifier app on my phone, Flora incognita, which swiftly identified the vigorous invader. Subsequent reading reveals other common names for this fast reproducing plant: quickweed, potato weed and (my favourite) galloping soldier. It was originally collected in its native Peru in 1796 and brought to Kew Gardens, from whence it escaped, earning the moniker the Kew weed! There’s a delicious description in William Edmondes’ ‘Weeds Weeding (& Darwin): The Gardener’s Guide‘, my weed bible, of the prolific Galinsoga parviflora being brought to Kew Gardens and ‘almost immediately galloping away down the street and all over London’. This conjures a vision of it heading north along Kew Road and marching across Kew Bridge to Brentford, with a breakaway battalion hopping onto the District Line to spread across the city.

We made short shrift of the energetic soldiers after some careful weeding around the precious crops. However, I’m expecting to see them back on duty this Friday after several days of heavy showers and relatively mild temperatures.

Every day’s a school day, as they say, and my education continued last Friday with an excellent butterfly talk and walk at Pensford Field, led by Ruth from Kew Gardens, who oversees the wildlife in Kew’s Natural Area (formerly the Conservation area). She began by listing the several benefits of butterflies: as pollinators, by spreading pollen from plant to plant while drinking nectar; as part of the food chain in the form of caterpillars which feed wild birds and even wasps; as an indicator species to signal the health of an environment as well as inspiring people to take an interest in the natural world. There’s a huge amount to learn about these fascinating creatures. For example that butterflies detect smell through their antennae which means that in polluted areas their numbers can be reduced because it’s harder for them to detect sources of food. It’s a blessing that places like Pensford Field and the surrounding gardens exist to support butterfly and moth populations, given the proximity of the Field to the South Circular Road.

Other key facts that Ruth shared with us: purple flowers attract butterflies; grow nasturtiums near brassicas as a sacrificial plant to prevent large and small white butterflies from feeding on the crop; stinging nettles are a vital food source for tortoiseshell caterpillars; always site a wilder area of the garden in a sunny spot; treat brambles as a beneficial plant because they provide shelter when other habitats are not available, perhaps during droughts; when you see two butterflies ‘dancing’ in the air, they might be mating or two males fighting! Species with darker wings such as the ringlet which has charcoal coloured wings are more tolerant of shade and can be found in woodland.

Ruth’s talk coincided with the Big Butterfly Count which runs until this Sunday 6 August. I sat in the sun in my garden at the weekend and spied a day flying moth (the Jersey tiger), a holly blue and what I think was a large white.

Although I did no gardening whilst my niece and three great nephews stayed last week, we did spend time in the garden when the weather improved mid week and I introduced the two older boys (aged 7 and 9) to ‘sun printing’. Earlier this year I attended a day course on cyanotype printing at London’s City Lit in March which I reported upon in a blog post. We collected some fallen leaves during a visit to Kew Gardens earlier in their visit and I had been collecting and drying some flowers and fern fronds for a few months in anticipation of their visit. The boys enjoyed the whole process starts with treating the paper with the light sensitive chemicals, drying it the paper with the hairdrier then carefully placing their finds onto the paper. They got really excited when they saw the change in colour of the background of the images once they were exposed to the sun. We dried the washed images on the clothes line and all agreed they weren’t bad for beginners!

Kew Gardens, 3 August 2023

(What’s So Funny ‘Bout) Peace, Love, and Understanding?*

During lockdown I entered a competition run by the Garden Museum in Lambeth. The theme was a memoir based on the garden as ‘Sanctuary’. I chose Kew Gardens for my subject and although I didn’t get shortlisted but would like to share the piece with you.

*Thank you to Elvis Costello for the title to this post. He performed a wonderful acoustic set at Kew the Music in July 2014. To date my favourite concert in this annual six day music event. Sadly cancelled this year.

29 April 2020.

A soothing voice on the meditation App advises me to visualise my ‘happy place’. Without hesitating I imagine myself sitting on a bench in a wood. Blue tits and great tits alight momentarily on feeders hanging from the branches of a tree across the path from where I sit. I can see a nuthatch inching down the trunk, its profile resembling a miniature woodpecker. From far above me I hear the mournful high-pitched call of a peregrine falcon.  I am in the Natural Area in Kew Gardens. Less than half a mile away the outside world goes about its business: traffic flows along Kew Road and golfers trundle trolleys over the pristine greens of the Royal Mid Surrey Golf Course. But here is my sanctuary, where I am cocooned from the new normal of Zoom meetings and tense grocery shopping expeditions. 

Is a sanctuary a physical place or can it be a mental refuge to be visited when your spirit needs soothing? As I write this, going into the sixth week of lockdown, staying home and staying safe, I believe that it is both. Kew Gardens remains closed but in my imagination I can visit any part of it whenever I wish. In 1968 James Taylor sang ‘In My Mind I’m Gone to Carolina’ and if I concentrate hard enough I’m gone to Kew. I’m gone to green glades lined with rare shrubs and trees from around the world, to the Redwood grove or the native woodland where now, in the last week of April, the understorey is carpeted with bluebells, the blue carpet punctuated here and there with the lime green flowers of Smyrnium perfoliatum. I can go at any time of the day or in any season. I can relive a frosty winter’s morning walking through the Plant Family Beds (now the Evolution Garden) and stopping to admire the frost riming the sculpture of the gardener leaning on his spade, surveying his domain. Or I can enjoy once more a late June picnic beneath the lime trees, their pale yellow flower clusters perfuming the warm still air. 

I was in my twenties when I visited Kew for the first time. I lived in central London then and Kew’s spaciousness and sense of calm contrasted with the bustle and fumes of city streets. I returned once a year at first and then more regularly, until in my mid-thirties I was fortunate enough to move to the area. 

A walk in the Gardens became a weekly ritual. I would often go late on a Sunday afternoon in preparation for the working week: the crowded Tube, the targets, the deadlines. Entering at the Lion Gate, I would skirt the Great Pagoda, heading towards what was then called the Conservation Area from which I emerged onto the lawn between the Gardens and the Thames towpath at the end of Syon Vista. Across the river, I could see the Northumberland lion standing defiantly atop the ornamental battlements of Syon House and at the other end of the wide double avenue of Holm oaks the rounded glass and metal outline of the central atrium of the Palm House. My route led to the northern shore of the lake, where in April creamy bracts centred with tightly clustered green flowers decorate a large Cornus florida. Skirting the southern end of the Temperate House I would arrive at Lion Gate just before closing time, save for one occasion when I mis-timed it and had to use the yellow emergency phone beside the gate. I was hugely relieved when the kind member of the Kew Constabulary who took the call released the remotely controlled catch on the gate. 

That might have remained my weekly routine had not life intervened. By 2008 I had stopped commuting into the city and had been working locally for a couple of years. When the financial crisis hit I was, as the most recent recruit to the firm, made redundant. Roles in my field were hard to come by so as well as attending a typing and computer skills course, I answered a call on the Kew website to volunteer at an exhibition to be staged in the Nash Conservatory about the work of Kew’s Millennium Seed Bank. I also volunteered in the visitor information team and by early the following year was offered a part-time job. I remember worrying if, by working there, the place I had come to regard as a place of sanctuary would lose that aura for me and become just another workplace. Yes, there were days when the relentless flood of emails and calls threatened to make me forget what a special place Kew is, but a gentle cycle ride home along Holly Walk on a summer’s evening restored a sense of calm and perspective. If time allowed, I took a longer route home, alongside the southern shore of the lake, passing the group of monkey puzzle trees, Araucaria araucana, towards the Natural Area, where I would sit for a few minutes on that bench near the birdfeeders. 

A year or so after I started working at Kew my elderly and increasingly frail mother came to live with me. We used to visit the Gardens most weekends, my mother in a wheelchair, reluctantly to begin with but content to do so when she realised how much more of the Gardens we could explore. We always took coffee and a picnic and on colder days, equipped with a hot water bottle under her blanket, she was the warmest member of the party. My mother loved sitting in the sun and one of her favourite places in Kew was the sundial lawn at the foot of the steps leading up to King William’s Temple in the Mediterranean Garden. On the hottest days I fancied we could detect the distinctive scent of the Garrigue, that combination of cistus, broom, lavender and oregano which characterised the hillsides of Provence where she had enjoyed several holidays. My mother’s dementia meant she was often sad and confused but a visit to Kew would raise her spirits, and when as we arrived home she would say ‘I’ve had a lovely day’, mine too. My mother died six years ago.

I no longer work at the Gardens, but once a week I volunteer for a few hours in the plant shop and will continue to do so when the lockdown is lifted. Kew remains a deeply special place to me. It has soothed me when my heart has been broken, when I’ve raged about some now forgotten injustice, worried about a health issue or grieved the loss of a loved one. I know I am not alone in missing Kew Gardens at this challenging time of fear and uncertainty.  But by conjuring in my mind’s eye its vistas and paths, stretches of water, ancient trees and the exquisite contents of its glasshouses, Kew offers me a refuge, a sanctuary.                                                                                                                                    Weeds Roots & Leaves                  29 April 2020

The Temperate House viewed from the Chinese Fringe Tree
The Palm House Pond in summer 2019 with a Dale Chihuly sculpture reflected in the water.
Snowdrops in the Rock Garden in December 2019
The Magnolia Grove in March 2020, just before lockdown
The Broad Walk Borders in July 2020

Still making a virtue of the virtual

Stay at home and tour the world: Part 2 South and North America

Welcome back to Weeds Roots & Leaves’ global garden tours. Today we’re visiting the Americas: south, central and north. There has been some debate at tour HQ (interesting how a pandemic amplifies one’s internal dialogue!) about whether North and South America are classed as one continent or two. Whilst researching this point I have read that before the Second World War the USA viewed them as a single continent, but now geographers worldwide treat them as separate continents. When I calculated the total number of continents visited on this tour (five) I adopted the latter approach.

Had this tour been real rather than virtual we would at this stage have embarked from the shores of New Zealand to cross the Pacific. The nearest body of water I can muster is a small pond. A few days ago rustling sounds emanating from the dense thicket of hard rush (Juncus inflexus) at one end of the pond and a faint series of croaks hinted at the return of amphibian life to the garden. On Easter Sunday I saw two frogs luxuriating in the cool water and the warmth of the spring sunshine. Once this dry spell of weather comes to an end they will no doubt have an endless supply of snails and slugs on which to predate.

We find the first two plants from the New World in Brazil. I first saw bog sage (Salvia uligonosa) in the gardens of the Palace of Versailles on a visit last August. It was the unusual shade of blue that attracted me: light but not insipid. Fringing parterres near the palace, their height (1.5m to 2m) and profusion of flowers made an impact. Last October one of the gardeners at Osterley gave me a portion of a plant which had recently been divided telling me it was quite tender and would need to be under cover in the winter. I have been checking the specimen regularly and until this weekend it would have been an exaggeration to say it was thriving but this weekend I was relieved to find a couple of fresh stems emerging at its base. Once the threat of frost has passed at the end of April I shall plant it in a sunny spot next to its close relatives, natives of the next country on the itinerary, Mexico, in what I have decided to call the ‘Salvia Bed’, in homage to Kew’s splendid Salvia Border.

I cannot leave Brazil without taking a look at Verbena bonariensis. This too I first saw at a grand palace: Blenheim in Oxfordshire. It was probably 20 years ago and at that time these tall slender stems topped by purple flowered ‘cymes’* swaying above lower growing species were an unusual sight. Since then this has become a very popular choice for providing height without bulk in a planting scheme. It is elegant, takes up little room at its base and is easy to grow. Its geographical range is from Brazil to Argentina: indeed its alternative species epithet is V. patagonica. Although it self-seeds quite freely, I’ve always found it does so in appropriate places. Flowering from mid-summer to early autumn, it has to be one of the hardest working herbaceous perennials in the garden. Furthermore the seedheads can be left untrimmed over winter for structure and interest.

Leaving South America, our route leads us beyond Central America to the North American continent, first stop Mexico. There are three Mexican plants in this section of the tour, all introduced to my garden from the gardens at Osterley. Yesterday I planted the sage relative, pakaha or pitcher sage (Lepechinia hastata), in the Sage Bed after a winter’s protection in the upright cold-frame next to the kitchen window. Were I to adopt airs and graces I could call this a mini greenhouse, but in my opinion to qualify as a greenhouse it must be possible to open the door and step inside. Until I can find a way to miraculously expand the garden to accomodate such a structure, this two shelf solution is wonderfully useful: more later. A mature specimen of this sub-shrub can grow to 1.5m bearing spikes of tubular purple-magenta flowers in late summer. Its felty grey-green leaves are spear-shaped, or ‘hastate’, from the Latin ‘hasta’, meaning a spear. When rubbed, the leaves have an intense fragrance, like a rich blend of essential oils. Judging by the number of stock photographs featuring visiting bees, the flowers will be attractive to pollinators.

I recently planted up a Dahlia tuber into a container but have no idea what colour its flowers will be. It came from last year’s scheme in one of the potager style beds in Osterley’s Tudor Walled Garden which means it could be a deep wine red, vivid scarlet or the very pale pinky beige shade the fashion pages refer to as ‘nude’. A good place to see a spectacular Dahlia display in late summer is in the asymmetric walled garden at Kelmarsh Hall in Northants. Let’s hope the current crisis will have eased by August and September when I anticipate there’ll be a frenzy of garden visiting. In the meantime we shall have to settle for virtual tours such as this.

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Dahlias in the Walled Garden at Kelmarsh Hall

I’ve no wish to mimic one of those tour operators promoting hotels which on arrival turn out to be half built, so I confess here that the next Mexican plant has yet to germinate. I sowed the flat papery seeds of the cup and saucer plant (Cobaea scandens) approximately a fortnight ago, having harvested them from a fruit of one of the specimens trained up the hazel pole pergola which is the centrepiece of the quadrant of beds in the Tudor Walled Garden at Osterley. I had left the fruit on the kitchen windowsill for months, fearing it might go mushy and mouldy, but it dried perfectly and when opened, revealed dozens of seeds neatly stacked inside its four chambers. I understand the seeds need bottom heat to germinate and fear they may not reach the requisite temperature. But it’s too soon to give up and I would be thrilled to grow one of these vigorous climbers from seed. The large flowers can be cream or mauve and do indeed resemble a cup resting on a saucer. A prolific example of the plant grows at the base of the down spiral staircase in the central section of Kew’s Temperate House (diagonally opposite the Tree Ferns). While clearly at home in that protected environment, at Osterley it flowers well into a cool and rainy autumn, until finally seen off by a frost.

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Cobaea scandens, the cup and saucer vine at NT Osterley House & Gardens

Following the spine of mountains northwards from the Sierra Madre to the Rockies, leads us to the home of that versatile ground cover plant, Heuchera. Coming from rocky woodland sites, in my garden it thrives in the ‘Woodland Area’ and alongside Cyclamen hederifolium in a large terracotta pot beside the garden gate. The beauty of Heucheras lies chiefly in their foliage, with wide variations in leaf margins and colour. Leaves range from deep mahogany (H. ‘Palace Purple’), through a lime green cultivar to my favourite, the roundly lobed leaves of which are shaded apple green fading towards the centre to a silvery white, intersected with burgundy veining. I touch wood as I write this, but I have not known these specimens to suffer vine weevil larval damage, a common problem for this group of plants causing the entire upper structure to part company with the roots when the pest has munched through the stem.

I grow another North American ground cover plant, Tellima grandiflora, which comes from cool moist woodland from Alaska to California. Like Heuchera it grows in a low rosette and carries its flowers above the plant on slim stems.

Before leaving the Americas, I should mention that I have joined the dig for victory brigade and am growing two crops introduced to Europe from the New World. Tomatoes (Solanum lycopersicum) and potatoes (Solanum tuberosum), both members of the nightshade family. The tomato seedlings are doing well in the tall cold frame having sprouted their first non-seed leaves and I’m growing the potato variety ‘Charlotte’.  I’m experimenting with new kinds of container for both crops and shall explain more in a future post.

In my small garden alone it’s been striking while planning this itinerary to discover how many of the plants in my garden come from Asia or the Americas. But the time has come to travel east across the Atlantic to Europe. And I haven’t forgotten the promised side trip to Africa. I look forward to welcoming you to the third and final part of the tour.

*As in Part 1 of the tour I thought it would be helpful to include a drawing showing some differing flower forms.

cyme umbel drawing

Plug in meadow

It began with a simple enquiry from my ‘client in the country’ (in fact my niece!) asking if I could recommend a supplier of meadow plants in plug form. A quick Google search led me to Crocus’s collection of ‘wildflowers for a stronger colour meadow display’, perfect for the south facing site with very little shade. It was agreed that I order the plants and bring them to plant on my next visit which was in the first week of November. The collection arrived in less than a week in a neat cardboard box containing 104 perfect little wildflower plants, in a black plastic tray divided into egg-cup sized plugs.

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The 13 species were arranged in clearly labelled rows of eight, each plant being well established with a substantial root system.

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The weather was thankfully dry and bright on the morning of planting, enabling me to mow the grass as short as possible before marking out the 4 metre x 5 metre site with short lengths of bamboo cane. Crocus’s instruction sheet advised a density of five plants per square metre, grouping the smaller plants in fives and the larger specimens in threes. The rain of the previous couple of weeks had softened the clay soil satisfactorily, making it relatively easy to dig the tiny pockets into which to deposit the plugs. As I inched my way around the grid, I was glad of the integrated knee-pads, just one of the many practical features of my investment purchase this autumn, Genus gardening trousers.

 

I had company during the whole process: my niece’s three hens: two feather-footed bantams and a very inquisitive ranger. I did my best to dissuade them from grubbing up the newly installed plugs by heeling them in as firmly as possible. Reports from Somerset indicate that I have been largely successful although said niece has had to re-plant a couple of the plugs after the hens’ excavating activities.

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The final stage of the project is to rake the seeds of Yellow Rattle (Rhinanthus minor) onto the plot so as to suppress the vigorous lawn grass. Yellow Rattle semi-parasitises the grass and is said to almost halve a lawn’s vigour once established.

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Yellow Rattle (Rhinanthus minor)

The list of specimens reads like the edited highlights of my Collins’ guide to ‘Wild Flowers of Britain and Europe’.

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It features meadow specimens in predominantly yellow, blue and pink shades, for example Cowslips (Primula veris), Harebells (Campanula rotundifolia) and Maiden Pinks (Dianthus deltoides). The client is keen that the flowers attract bees and butterflies to the garden and most of the plants featured in the collection are rich in nectar. The pale blue flowers of Chicory (Cichorium intybus) are visited by bees and hoverflies and the brighter blue flowers of the wonderfully named Viper’s Bugloss (Echium vulgare) lure both bees and Painted Lady Butterflies. Dusk should be a fascinating time in this little patch of meadow next summer judging by the several moth species mentioned on the labels: Northern Rustic Moths are partial to Cowslips and Harebells and two of the plants attract their namesakes. For example, Yellow Toadflax (Linaria vulgaris) is pollinated by the Toadflax Pug Moth and Ragged Robin (Lychnis flos-cuculi) by the Lychnis Moth. Another bee magnet is the Oxeye Daisy (Leucanthemum vulgare) whose white flowers on one metre stems should stand out beautifully when the meadow area becomes established.

The mint family is represented by two of the plants in the collection, violet blue Wild Clary (Salvia verbenaca) and pink Betony (Stachys officinalis).

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Betony (Stachys officinalis)

I love the old fashioned names of these and all the wildflowers featured in the list and am so looking forward to seeing this little patch of meadow develop in the next couple of years. I shall report back next summer with a progress report and some photographs of my own. Those I have used to illustrate the various species I have found on the web and cannot claim the credit for these beautiful images.

Clockwise from top left hand corner: Ragged Robin, Wild Clary, Cowslip, Oxeye Daisy, Heartsease, Chicory, Harebell, Maiden Pink, Lesser Knapweed, Red Campion, Yellow Toadflax, Viper’s Bugloss.

 

 

Teddington toad

I came across two of these handsome chaps when preparing the soil for planting a new scheme for a front garden in Teddington on Monday. I hope that they soon resumed their slumbers when I relocated them to the neighbouring flowerbed. Toads featured in my blog post of 7 December 2018.

IMG_6627The second image shows a corner of the garden featuring a multi-stemmed Himalayan Silver Birch, Betula utilis var. jacquemontii. I’ve underplanted it with foxgloves, Brunnera macrophylla ‘Jack Frost’, Cyclamen coum and Geranium ‘Phillipe Vapelle’. The scheme also includes the Hard Shield Fern, Polystichum aculeatum,  Hebe ‘Garden Beauty’ Blue and Campanula persicifolia ‘Telham Beauty’ IMG_6636

Toads and more

Imagine being woken from a deep warm sleep by someone wielding a shovel. This was the experience of the four toads we unearthed from a mature leaf mould pile in the gardens at Osterley two weeks ago. We were excavating the leaf mould to use as mulch in the Winter Garden. The amphibians had snuggled themselves into this dense and dark environment presumably with a view to remaining in hibernation until next spring. Each time we found a toad we carefully deposited its plump brown and understandably trembling body in the neighbouring leaf compound where last years leaves are slowly rotting down into a rich dark substance which will be ready to harvest in a year or so.

Recent work at Osterley has been varied and very satisfying. We have cut down to ground level the Asters and Heleniums in the American Border, the long deep area which backs onto the Tudor Walled Garden planted with specimens of shrubs and herbaceous perennials originating from North America. One of these is the towering herbaceous perennial American pokeweed, Phytolacca americana, which bears racemes of crimson-black berries in the autumn. This too was cut down to the ground. After weeding we planted a scattering of tulip bulbs between the crowns of the plants we had  cleared, which in some cases were already fringed in the first of next year’s leaves.

A week ago, in one quadrant of the Tudor Walled Garden, we grubbed out the Castor Oil plants, Ricinus communis, which provide height and drama amidst the Dahlias and Mexican sunflowers which two months ago were still thriving colourfully in the glorious open location. I described working in the midst of this bed in a blog post a couple of months ago and at its height it is truly a kaleidoscope of varying shades of orange, red and yellow. One of the Osterley gardeners explained that the Castor Oil plants have been particularly successful this year, having been started under glass in February in preparation for planting out after the frosts have ceased. Their success was demonstrated by their unwillingness to be extracted from the soil. Each spot plant had formed a tough knuckle of root from which radiated several anchoring roots necessitating some persistent spade and fork work for every plant. The waste material was shredded that afternoon in the work yard area near the Gardeners’ Bothy ready for composting. Out too came a few remaining stands of Rainbow Chard, a reminder that the planting in this bed deliberately mixes culinary and decorative specimens. Over the coming months the now empty bed will be rotavated and spread with a leaf mould mulch,  toads optional

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The profusion of growth in the Tudor Walled Garden in September

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Castor Oil plants in the Tudor Walled Garden on 14 September 2018

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